Journal Of New Music Research

Understanding biomechanical constraints for modelling expressive performance: A guitar case study

Symbaline: An electromagnetically actuated wine glass instrument

Intuitive and efficient computer-aided music rearrangement with optimised processing of audio transitions

How often and why mode fails to predict mood in low-arousal classical piano music

The impact of 3-D sound spatialisation on listeners' understanding of human agency in acousmatic music

Between standards and arts: Digitisation and restoration of audio material - a balancing act between authenticity and manipulation?

Sound archive principles within an interdisciplinary sciences-based initiative

From the document to the work: Ontological reflections on the preservation and restoration of musical artefacts

Multiplicity in the documentation of performance-based artworks: Displaying multi-media documentation in Rebecca Horn's Body Sculptures at Tate

FAIR data principles and their application to speech and oral archives